Aqua horros – is the subgenre of exploitation movie about underwater perils, divers, monsters, sharks, drowning scenes end etc. The most famous underwater horrors: Jaws (1976), Mamula (2014) Sanctum (2010) and etc. This subgenre often stands near «Monsters» horror but we prefer to mark it in the separate category because underwater, drowning perils is another point of fear and fantasy, 

Fetish Horrors scenes. Cinematic death scenes, violence, murder scenes spawned a fetishization of movie violence in popular culture. Cinema, as a means of sublimation and reflection of psychic substitutions in culture, portrayed violence as something eroticized, deliberately grotesque. The earliest version of the eroticization of the murder scene was the legendary shower scene from «Psycho» by Alfred Hitchcock. For decades, erotic overtones in movie murder scenes have been broadcast by horror masters in giallo films and slashers, and other genres of exploitative cinema. Beginning in the early 2000s, when Category A movies required movie ratings softening for higher box office grosses, giallo and slasher fans have organized their niche and the Internet and filming erotic fictional murders has become the prerogative of aspiring filmmakers and film enthusiasts with independent web-cinema distributors.

Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.

«Dangerous Girls» cinema is a genre in horror/thriller culture where the main character is a female  who destroys  (I Spit on Your Grave 1978, 2010; Kill Bill, 2003)her offenders or being a villain female fatale (American Mary, 2012). Female characters in exploitation horror culture was victim for a long time and the character «Girl Who Kills» became the challenge, added variety, reduced the sexist orientation of exploitative cinema, and introduced new cinematic archetypes. Dangerous Girls who kills in the cinema find their reflection in comics, spy thrillers, slashers. They combine feminism, female history of action and horror films, fetish image of a dominant woman (FemDom).